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Gallery Invoice & Certificate
Every artwork in our collection undergoes rigorous authentication. We verify pieces against Catalogues Raisonnés, acquire works from major auction houses like Christie's or Heritage, or source directly from publishers and estates. Gallery invoices and Certificates of Authenticity are provided upon request for all acquisitions.
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Reliable worldwide shipping via DHL Express and domestic delivery via UPS/USPS. Each work is professionally packed to fine art gallery standards. Additional shipping insurance can be arranged upon request.
Trusted Business · Private Viewing in NYC
Hedonism LLC is a registered New York State business (DOS ID: 7008421), located at 1150 Bay Ridge Ave, Brooklyn, NY 11219. We offer private viewings by appointment at our Brooklyn location. While we do not operate a public exhibition space, we are happy to arrange a viewing for specific works. For high-value acquisitions, we can arrange a private presentation at your location in Manhattan.
Original Salvador Dali etching"Euterpe" (Le char de Bacchus) from Suite Les Muses (1971), hand-signed by Dali in pencil, hand-colored with watercolor and golden highlights.
Salvador Dalí created the suite of Les Muses while creating works for two of his patrons Giuseppe and Mara Albaretto. The artworks are inspired by Greek mythology.
Euterpe was one of the Muses in Greek mythology, presiding over music. In late Classical times, she was named muse of lyric poetry.
Drypoint etching with hand coloring in watercolor and golden highlights
Hand-signed by Dalí in pencil
Artist's dry stamp lower left
Limited edition of 145 copies on Arches vellum, annotated 53/145, with wide margins
Arches France watermark
Size: 15 3/4 × 12 3/4 in (40 x 32.5 cm), sheet 26 1/10 × 19 9/10 in (66.2 × 50.5 cm)
Published by Les Heures Claires
Reference: Michler & Löpsinger n°511, Field 71-18 A
In good condition
Unframed
One of the rarest and most beautiful engravings by Salvador Dali. It is a real success for a collector to have this engraving in his collection.
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