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Catalogue Raisonné Reference:Vallier 143
Good condition
Provenance: from the estate of Leon and Jane Arkus. Leon was the Director of the Carnegie Museum of Art, Pittsburgh, from 1969 to 1980.
Import duties, taxes, and fees are the responsibility of the recipient and payable upon delivery.
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Hedonism LLC is a registered New York State business (DOS ID: 7008421), located at 1150 Bay Ridge Ave, Brooklyn, NY 11219. We offer private viewings by appointment at our Brooklyn location. While we do not operate a public exhibition space, we are happy to arrange a viewing for specific works. For high-value acquisitions, we can arrange a private presentation at your location in Manhattan.
after Georges Braque Lithograph "La libertè des mers"
This limited edition lithograph, After Georges Braque - La libertè des mers (1959), is a stunning piece of art. The lithograph is printed on high-quality paper and is sure to be a conversation starter in any home or office.
The colors are vibrant and the details are exquisite. It is a perfect way to add a touch of elegance to any room. This piece of art is sure to be a timeless addition to any collection.
This limited edition lithograph is a must-have for any art lover. It is a unique and beautiful piece that will be cherished for years to come. Get your hands on this stunning piece of art today!
Date: 1959
Lithograph, unframed
Size:15 х 11in (38 x 27 cm)
Printer:Arte, Paris
Publisher: Maeght, Paris
Reference: Vallier 143
Good condition
Provenance: from the estate of Leon and Jane Arkus. Leon was the Director of the Carnegie Museum of Art, Pittsburgh, from 1969 to 1980.
There is text on the back side, as issued.
After prints were created under the auspices of artists’ publishers. Georges Braque worked with Parisian publisher Maeght to create graphics made “after” his watercolors and paintings. The printers whom he regularly worked with on his “original” graphics headed these projects. Like Chagall, Braque assisted the printers closely throughout the entire process; he chose each image and which technique to use, directed the lithographer or engraver, and corrected and approved the proofs. He authorized production of the work by hand-signing the edition. These “after” prints reproduced prominent, large color paintings from earlier in the artists’ careers–created before they had begun to utilize color printmaking techniques, and generally, from the mid-20th century on–and were championed by print publishers as a means of extending the artists’ commercial output.
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