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Gallery Invoice & Certificate
Every artwork in our collection undergoes rigorous authentication. We verify pieces against Catalogues Raisonnés, acquire works from major auction houses like Christie's or Heritage, or source directly from publishers and estates. Gallery invoices and Certificates of Authenticity are provided upon request for all acquisitions.
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Reliable worldwide shipping via DHL Express and domestic delivery via UPS/USPS. Each work is professionally packed to fine art gallery standards. Additional shipping insurance can be arranged upon request.
Trusted Business · Private Viewing in NYC
Hedonism LLC is a registered New York State business (DOS ID: 7008421), located at 1150 Bay Ridge Ave, Brooklyn, NY 11219. We offer private viewings by appointment at our Brooklyn location. While we do not operate a public exhibition space, we are happy to arrange a viewing for specific works. For high-value acquisitions, we can arrange a private presentation at your location in Manhattan.
OriginalHeliogravure by Georges Rouault "Nocturne" for "Stella Vespertina" portfolio (1947)
This original heliogravure by Georges Rouault, titled "Nocturne" (1947), is a stunning piece of art. The composition is simple yet powerful, with a strong sense of movement and emotion.
The artwork is a perfect example of Rouault's signature style, which is characterized by bold lines and shapes, and a strong sense of contrast. The piece is sure to be a conversation starter, and will add a touch of sophistication to any room.
This piece is a must-have for any art collector, and is sure to be a timeless addition to any home. Get your hands on this unique piece of art today, and add a touch of elegance to your home.
Date: 1947
Edition of 2000 on Marais paper
Signed by Rouault in the plate (not by hand)
Medium: Original Heliogravure, unframed
Size: 19 1/2 x 15 1/4 in. (47 x 37 cm)
The image measures 9 1/4 x 11 1/2 inches (20 x 30cm)
Printer: Draeger Freres, Paris
Publisher:Rene Drouin, Paris
Good condition, The image has been tipped (lightly mounted) by the publisher onto a larger support sheet of gray vellum paper.
Rouault “achieved striking effects in his prints by unothodox means, mixing techniques and tools and sometimes working by hand a plate onto which his original gouache sketch had been photographed” (Artist and the Book, 179). His Stella Vespertina is one of the great personal views on the subject of artistic intention. In it Rouault reflects that “the conscience of an artist worthy of the name is like an incurable disease which causes him endless torment but occasionally fills him with silent joy.”
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